Art Institute of Chicago in the galleries of painting by English artist Richard Parks Bonington "On the grounds of a villa near Florence" stands. Find pictures in oil on board and canvas, painted in 1926 will be put on.
We have this beautiful picture from the eyes of an Englishman, gave us an Italian landscape. As the title implies we have an Italian villa near the ground, which stands on the viewer watching. Either a abbey on top of hills in the distance, or almost on top of it you can see a dome-like structure for the good-sized church. The composition of the painting off the tree just below the vocal point for the center ground. Large cypress tree picture to the left of the center structure, which couched under the crown of trees provides a cover.
Below the church we see where we are brought into the foreground of the image to close things in more detail. The most prominent object or red plumes and looking pretty blue flame to the right audience with the pheasant turkey. Bird coming out of the back and left a garden stone and brick, cypress trees, which comes to an end at the end of the wall section is made. Left a red blouse and skirt is coming out with a mud bath in the center with a peasant girl and appears to be running out like birds. Almost directly under the wall near the base of pot hidden in dark tones is a pair of lovers. People further down the path and large animal figures are seen. At the very end of the garden wall is a large stone pot that serves as a support for the trees is. This part of painting the dark tones which we work directly under the trees and bushes, all the birds thus divided into two foreground background picture to accent the birds which includes the above brings me to lie through Villa hold. Bird to the right balance or an old garden wall of which only the bench and grille can be seen under the section appears to be the ruins. Bench on the wall section, for this is the base to the red strokes are tons of angling is not clear.
The most striking feature of the work of art for this center, there's nothing in it but the place is not just gloss over artists to create sunset light. This cloud of glowing surprise draw the viewer into my painting and then we have the ability to get down to the foreground. Painting with spaces to the success of bringing the bird in the foreground juxtaposed against the sunset in the background.
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Tuesday, May 17, 2011
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